Oct 19: 30 Days of Night (2007)

Synopsis

On this date in 2007, the polar night descended on Barrow, Alaska, the setting for 30 Days of Night, a horror film based on the comic book miniseries of the same name. Barrow, Alaska is preparing for its annual month-long polar night when a stranger rows ashore from a large ship. When detained, the stranger (the Harbinger archetype) taunts the townsfolk, telling them that death is coming. The mysterious visitor is the reincarnation of Renfield, the chosen one who prepares for the coming of the vampire scourge in Bram Stoker’s Dracula.

THE PSYCHIATRY OF 30 DAYS OF NIGHT

The vampire genre found its popularity with publication of Bram Stoker’s Dracula in 1897. Texts such as An Extraordinary and Shocking History of a Great Berserker Called Prince Dracula served as inspiration for Stoker’s monster. Stoker’s working papers for Dracula were discovered in the Rosenbach Museum in Philadelphia, confirming that he knew about the existence of Vlad Dracula, otherwise known as Vlad the Impaler. While the vampires in 30 Days of Night have features reminiscent of Nosferatu, the film pays homage to Stoker’s seminal novel. For example, when investigating the power outage, Eben goes to the telecommunications center and finds the operator’s head on a spike. Stoker’s eponymous character being killed with a spike through the heart was inspired by Vlad Dracula’s impaling thousands of the Sultan’s men on wooden stakes. With the creation of the vampire inspired by “Prince Dracula,” the apex predator then serves as a metaphor for Antisocial Personality Disorder (APD) given that the Count demonstrates reckless disregard for and violation of Jonathon Harker’s and other’s rights.

The town of Barrow succumbs to “30 days of night,” making the movie an allegory of Major Depressive Disorder with seasonal pattern (Seasonal Affective Disorder). This condition manifests with depressive symptoms at characteristic times of the year (episodes usually begin in fall or winter and remit in spring). Since the characters’ behavior is significantly influenced by the vampiric plague, with vampires serving as metaphors for APD, then 30 Days of Night may be interpreted as a case of “Secondary Depression;” a condition characterized by depressive symptoms thought to be caused by an underlying (e.g. antisocial) personality disorder.

Oct 8: The Thing (1982)

SYNOPSIS

At the Amundsen’Scott South Pole Station, most personnel leave by the middle of February, leaving a few dozen “winter-overs” (mostly support staff plus a few scientists) who keep the station functional through the months of Antarctic night. The winter personnel are isolated between mid-February and late October. After the last flight has left for the winter, an annual tradition is a double feature viewing of The Thing and The Shining.

So, following yesterday’s blog on The Shining, its only right to examine John Carpenter’s The Thing next. Based on John W. Campbell, Jr.’s novella, Who Goes There?, the movie is about a parasitic , extraterrestrial lifeform that assimilates organisms at the molecular level, thus allowing it to mimic the host phenotypically.

Set in Antarctica, The Thing begins with a Norwegian helicopter pursuing an Alaskan malamute to an American research station. When the last surviving Norwegian is shot and killed, the Americans go to the Norwegian base only to find it burned to the ground. MacReady and the crew learn that the Malamute was alien, and before they could kill it, the thing begins to assimilate the other dogs and members of the research team.

Considered by Carpenter to be the first part of an apocalyptic trilogy along with Prince of Darkness and In the Mouth of Madness, The Thing pays homage to Dracula, depicting the trials of MacReady (modern day Van Helsing), who leads the team as they try to capture and kill the inhuman scourge before it can hibernate and move beyond the continent.

THE PSYCHIATRY OF THE THING

We discover that the thing was trying to freeze itself and hibernate, thus introducing the notion of dyssomnias; sleep abnormalities in the amount, quality, or timing of sleep involving abnormalities in mechanisms generating sleep-wake states (as opposed to parasomnias which are abnormal behaviors occurring in association with/around the time of sleep such as sleep walking). One dyssomnia, Non-24 Hour Sleep-Wake Type (a Circadian Rhythm Sleep-Wake Disorder), is characterized by abnormal synchronization between the 24-h light-dark cycle and the endogenous circadian rhythm. Given that a) the setting of the film is the Antarctic night, b) the alien’s circadian rhythm is longer than 24 hours, c) the alien needs to hibernate, The Thing may be viewed as an exercise in the Sleep-Wake Disorders.

The Thing can also be interpreted as a case study of “mass paranoia;” with imminent danger behind every familiar face, the film oscillates between hypervigilance and Shared Psychotic Disorder. For example, Blair becomes increasingly paranoid, calculating that if the alien escapes Antarctica, all life on earth will be assimilated within a few years.
In the final scene, MacReady and Childs watch the camp burn and acknowledge the futility of their distrust and share a bottle of scotch. The ambiguous ending is clarified 30 years later by Joss Whedon; in The Cabin in the Woods, the scene revealing the “Fail” in Sweden most likely reveals the cataclysmic outcome of The Thing.